Falling through a hole in space-time from 1978-1979, the Oberheim OB-1 seems strangely at home as a monosynth (or polysynth) in 2024. GForce made an addictively good recreation in plug-in form – and it’s the perfect time for Tom Oberheim himself to weigh in on his creation.

Bitwig Studio, by default, has one love-it-or-leave-it color scheme. There are contrast controls, but that’s it. Without an official, supported solution, users have banded together to create their own customization – and some of the themes they’re producing look fantastic.

Talk about “business techno”: corporate techno appropriation continues, as Elon Musk has evidently opened an employee-only club space at the Gigafactory Berlin. And it’s emblematic of some political storm clouds gathering over the German capital.

From Bethlehem, tune into a live recording of some of the best MC and production talent Palestine has to offer—and a deep-felt cooling session, like a gentle stream.

If you’ve been dazzled by some of the motion and interaction design for Max for Live tools I’ve shared lately but don’t know where to start in your own patches, it’s all about jsui. And to get you started, we turn to Estevan Carlos Benson.

Here’s your regular, friendly reminder for those not in the know: if you’ve been puzzled by minijack and TRS connections for MIDI, and why none of them seem to work together, one website has (nearly) all the answers.

Geert Bevin’s awesome, attractive, totally free, and open-source ShowMIDI has reached the 1.0 milestone, with new features and an updated video tutorial to match. If you’re looking to monitor MIDI on Mac, Windows, Linux, or iOS, your ship came in.

Nothing to download, no AI (and it’s not training on your stuff), and nothing to pay: Pikimov is a free Web-based motion graphics tool and video editor. It runs in your browser, but your files stay on your machine. In other words, it’s exactly what you wanted.

If you want your MTV, you’ve got it back. The Internet Archive and Wayback Machine has restored the archives of MTV News (and VICE, while we’re on the subject) shortly after their corporate overlords nuked everything. It’s a move crucial to research – and pleasantly wasting time online.

There’s always storytelling and throughline in Liliane Chlela’s work, even in the most brutal driving grooves. Anatomy of a Jerk delivers that same narrative clarity and floor-rumbling authority, out on Mexico City’s Infinite Machine imprint.