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OpenCV Motion Tracking, Face Recognition with Processing: I'm Forever Popping Bubbles

Processing OpenGL Tutorial Video #2- Bubbles! from Andy Best on Vimeo. Interested in performing high-performance, high-quality video processing, computer vision, motion tracking, and analysis? And want to do it in the friendly Processing coding environment – an ideal place to start, even for non-programmers? First, you’ll want to read Andy Best’s introduction to OpenCV posted […]

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Intellectual Property, Multi-Touch: Will Apple IP Stifle Innovation?

The iPhone launch, two short years ago. Photo David Pham. Apple’s iPhone should be a herald of a new age in interface design. But now, with speculation that Apple and Palm could get into a patent battle, and murky concerns about patents in multi-touch interface design in general, it’s unclear how much intellectual property legal […]

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Touch Mix iPhone deadmau5 DJ-Remix App, from Future Audio Workshop

Touch Mix is a simple music app for the iPhone and iPod touch that lets you play, mix, and remix ten exclusive tracks by producer deadmau5. Now, of course, you’re unlikely to grab this in order to DJ nothing but deadmau5. (The all-deadmau5, all-the-time approach?) But the app demonstrates that iPhone-only artist releases can be […]

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Future Grooves: Breeding Beats Like DNA, Lemur + Ableton Live + Max 5

DyNAmic sequencer from Lo-Fi Massahkah on Vimeo. Ready for some musical genetic engineering? Much of the sound of electronic music today grows out of the use – and abuse – of specific designs. The electronica beats bred in discos and techno, Detroit and Berlin have a direct lineage to analog step sequencers and the rigid […]

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Depressing Project of the Day: Stock Market, Set to Music with Microsoft Songsmith

I’ve been talking to folks about sonifying or music-i-fying data a lot lately; I even created a soothing, gamelan-like melody from my Gmail spam folder at South by Southwest last spring. But this particular example is, well … special. I hesitate to share this, because a) YouTube numbers suggest you may have seen it already […]

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Follow Friday: Musical Twitter Feeds You Read – and an Alternative Approach

Twitter has been (rightfully, in many cases) maligned as a distraction, but at times the “microblog” can keep us connected in smaller bits of time, not larger. People read while something is rendering, when they feel a bit lonely or distracted to begin with (a bit like taking work to a virtual coffee shop), while […]

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Processing Tutorials: Getting Started with Video Processing via OpenCV

Examples of OpenCV routines from the Processing library documentation. Of course, it’s up to you to build on these techniques and make art. It’s a relatively easy thing for computers to “see” video, but “computer vision” goes a step further, applying a wide range of techniques by which computers can begin to understand and process […]

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Vixid, Rock Band, Simulcast, Oh My! Streaming Live Tomorrow from Game On

I have a confession to make, CDMo(n)sters. I’ve been keeping things from you. There has been so much exciting stuff happening with the Vixid and Herovision over the past months that I’ve been paralyzed. In spite of my “do it fast, release it now” philosophy, I haven’t been sharing things, because they’ve been perpetually not […]

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VisualVox Polyphonic Tone Manipulation: The Indie, EUR25 Celemony?

Sonic scientist Peter Neubäcker of Melodyne has been wowing Internet audiences for some time with the automagical powers of the company’s Direct Note Access (DNA). The vision: manipulate individual pitches as easily as MIDI notes, even in polyphonic passages of a single instrument. At NAMM last month, the company showed the first product, Melodyne editor, […]

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Attack of the Remix: Soda Jerk Interview by Simulcast

Friend of CDM Simulcast caught up with Australian video remixers Soda Jerk last year, to talk about their technically intense, epic, narrative remixes. Soda_Jerk are two remix artists who create brand spanking new stories with their compositions. They work across several mediums but are probably best known for their entirely sample based audiovisual films that […]

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