In fragmented, alien futuristic materials, FRKTL – aka Sarah Badr – has produced another spectacular release. This project fuses her evocative sound design with increasing virtuosity in digital visuals, as generated surfaces melt into synesthesia. Sarah to me was already pushing the envelope of sound design in organic, flowing compositions, and now all the little […]

Add free, open-source visual programming on the GPU to the free-for-noncommercial-use vvvv – and get materials, lighting, effects, particles, and generative geometry. Here’s the twist: you do all of that without code or scripts, and it’s all on the GPU, live.

Apple is filling in a key piece in the Spatial Audio puzzle – tracking the position of your head through the company’s headphones for more realistic immersion. Spatial Audio is already popular just weeks after launch on Apple Music, backed by a full-court press from Apple themselves on their own platforms and in the media. […]

The music nerd cultural happening – modular pilgrimage is back, and with it… way too much gear to wrap your head around. Here are the not-to-miss picks and of course the exhaustive CDM monster guide.

Afrorack continues to make richly textured polyrhythmic music and share secrets for cheaply producing powerful modular instruments with open tools. Here are some tantalizing updates from Uganda.

Erica is offering up a 4-voice synth and percussion architecture with a detailed sequencer in a single box. So yeah, this week is about a lot of new modules – but PĒRKONS shows again how those ideas can be integrated into a single desktop design, too.

Harpist Emily Hopkins is a runaway harp YouTube sensation – yes, those are still being born. A high point: reviewing “the heaviest distortion pedal I could fine” on not one but two harps.

Amidst all the interest in vintage synths, it’s not often you get your hands on a 1974 MiniKorg-700. Francis Preve, who worked on design for the new KORG plug-in, is our guide to making sounds for its unique architecture.

Virtual clubbing, you say? It’s tough to top Psygnosis’ Wipeout series and its legacy, starting with composer Tim Wright aka CoLD SToRAGE. So let’s queue up a mix.

LXR-02 is what the world needs now: a drum machine with its own personality and soul. It slaps harder, plays easier, and does grunge, glitch, grime, and digital mayhem unlike anything else.