The music flows easily, entangled like vines, in a production constructed between Berlin and Indonesia over Zoom. But in these serene melodies, there is a plea for the ecosystem of North Sumatra.

Smooth Operator is a unique new way of reaching out and sculpting sound at the spectral level – and it’s terrifically addictive and creative.

The acoustic principles are the same as wind instruments (and pipe organs). But there’s something eerily beautiful about wind organs – and they’re easy enough to make. bassling from Australia sends in this how-to from Australia, to get you started. There, of course, it’s fall, meaning this could be viewed in the “spooky Halloween” territory […]

Even as NVIDIA has a keynote with simulated robots making the rounds of a BMW factory, some of the GPU giant’s latest brings industry- and enterprise-grade tools to artists, too. That also could prove relevant as the pandemic has folks looking for work.

As Polyend’s epic hit Tracker gains momentum, their gorgeous Medusa synth continues to mature – even as it reaches the end of its production life. A new FM engine, more playable options, and LFO sync make this a complete refresh – and a tastier companion to Tracker (or whatever your rig includes).

Make no mistake – music production is attracting investors. Just weeks after announcing it was acquiring a majority stake in Native Instruments, Francisco Partners now will create a parent company for both NI and iZotope, making two of the largest names in audio software “sister companies.”

Everybody could use something to look forward to these days, right? How about Flying Lotus plus African samurais, mechs, and magic?

Online festivals have often made us miss physical meetings even more, but Apotome at CTM Festival was a real bright spot of the past year. A long-running creation of composer/researcher Khyam Allami in collaboration with creative studio Counterpoint, it became a tool to explore and a platform for collaboration and expression.

Beatport DJ is a browser-based tool that combines finding music with mixing it right away. It is definitely where the company’s LINK subscription is going. And we’ve got a first look at the interface – plus what it might mean for anyone making and releasing music (and what’s missing so far).

It’s like something out of a William Gibson plotline. Nothing is headquartered in London and will make … something. And apart from tapping alumni of Apple, Twitch, Reddit, YouTube, and a CEO from OnePlus – they’re also bringing in Swedish designers Teenage Engineering.