The last time Native Instruments released a synth called Massive, they accidentally helped define genres (EDM, dubstep). But MASSIVE X returns to the original vision: make it easier to get deep with wavetables and modularity and go wild with sound. And now, the wait is over.

Arturia’s V Collection 7 continues to expand as the go-to software library of every vintage synth you would ever want. But let’s focus on one new gem: the brilliant CZ-101 remake.

It’s an analog-wavetable polysynth with an expressive grid – but that only begins to describe what makes the Polyend Medusa such a unique instrument. Here’s a deep dive into this hybrid synthesizer and what it means musically.

In glitching collisions of faces, percussive bolts of lightning, Lorem has ripped open machine learning’s generative powers in a new audiovisual work. Here’s the artist on what he’s doing, as he’s about to join a new inquisitive club series in Berlin.

808 day, sure. But let’s pause for 606 day – the logical anniversary of the 1982 TR-606, a drum machine squeezed inside a tiny enclosure that looks like a 303 but isn’t. It’s the lesser known runt of the Roland family, and you kind of love it for that alone.

You know the Minimoog and the modular. But do you know The Operator – a business telephone? Or the Moog table hockey game? The Moog name wound up in some strange places in the 80s.

Its creator describes it as a “workshop in a plug-in.” Mozaic lets you turn your iOS device into a MIDI filter/controller that does whatever you want – a toolkit for making your own MIDI gadgets.

Look past the modulars and wires: connecting people who make instruments and those who play them is at the heart of all Andreas Schneider’s endeavors. With Superbooth looming, we check in on Herr Schneider and his vision of what electronic instruments are about.

It’s all about voltage these days. Ableton’s new CV Tools are designed for integrating with modular and semi-modular/desktop gear with CV. And they’re built in Max – meaning builders can learn from these tools and build their own.

Apple’s iTunes is not going away tomorrow, but the antiquated software seems to finally be approaching the end of the road. It’s long past time to talk about new solutions and new standards, for music lovers and DJs alike.