It don’t mean a thing if it ain’t got that … jacky thing. Noncompliant’s latest remix embodies a certain sound that makes the tuchas move. And hey, evolution is on her side.

For all Moog’s synths, it’s been a while since there was a sweet spot that said – oh, if I want a Moog, I should start here. The Subsequent 25 could be that instrument.

Don’t call it a comeback. KORG R&D is reimagining one of their more unique ideas from the 90s – but the result promises to be very 2020.

At last week’s MUTEK.JP festival in Tokyo, amidst familiar touring works, you could spot a subplot – returning to color and fluid expression in live AV sets.

The launch video for Microsoft’s Xbox Series X console “borrows” from work by ANTIVJ (and a ground-breaking indie game, too).

If you’re following music acts, odds are you’re already seeing Spotify-generated stats and graphs from artists. There’s a backlash to the practice – and with good reason.

There are some powerful sound creation possibilities lurking beneath Live’s built-in devices. Finding inspiration from Live effects is the topic of my second collaboration with Riemann Kollektion.

No new ideas in synthesizers? Not so, says independent developer Artemiy Pavlov. He was excited enough about KORG’s direction that he’s written about why he thinks it changes music tech for the better. The Ukraine-based coder who releases under his Sinevibes brand is someone we’ve followed on CDM for some years, as a source of […]

Their festival has no wristbands. Their lineups aren’t blowing up on socials. But when Gays Hate Techno throws a party or does a compilation – like the one that just dropped – what you get is nothing but musical spirit.

The latest update from Bitwig offers variations on a theme – from microtuning to lots of new features for working with pitch editing and playing live. Oh, and it’s easier to learn, too.