Photos courtesy John Tejada. From his home in LA to the global scene, John Tejada is a planet-navigating techno ambassador and one of our favorite electronic musicians. He’s one of a handful of artists successful today who has managed to cross eras, whose experience isn’t just of this moment but who has touched the evolution […]
Read more →Search results for ""
Exploring the Jam, Supernatural, with Mindpirates Collective [Event Report, Videos]
Jam. Far out. The artwork of Lionel Williams served as backdrop for a set of live jam sessions. It’s a question so elemental in music, you might forget to ask it: what can you get out of a (music) jam? Electronic music worldwide is dominated by the DJ, the dance party. That, in turn, often […]
Read more →Patchosaur: Audio, MIDI, and Max/Pd-Style Patching, in a Browser, Because You Can
If you’re looking to build your own instruments and effects and sequencers and play with patching, you really don’t want this software. No, seriously – while a fascinating, fun tech demo, something like the desktop Pd or Max is probably what you want. (As we saw earlier this week, Pd-extended just got much easier to […]
Read more →Music Making, Shared: Communal Ambient Tracks Explore Instagram Photos, Lisbon, and More
This collection of Instagram photos inspired an ambient compilation at the end of last year – one well worth adding to your listening queue now. Since then, challenges opened to a community on SoundCloud have produced hundreds of terrific tracks – and the latest weekly challenge is on now, with a deadline midnight Monday. Where […]
Read more →Mouse on Mars: In the Studio, and Reflecting on Performance, Listening, and Melody
Mouse on Mars’ Parastrophics for Monkeytown has been an early highlight of the year, a record packed with musical ideas in densely-configured arrays of sound. The duo is now taking that music on the road, in ambitious, improvisatory live performances. Perhaps all of this can be summed up in one word: energy. Their studio and […]
Read more →Make Music with Anything: junXion Universal Send-Receive for Mac [Video Tutorial Round-up]
“So,” you say, “I’ve got a … and I want to connect it to a … to make music. How do I do that?” One strong answer to that question, if you’ve got a Mac, is junXion. Developed by the landmark audio research laboratory STEIM – a hotspot in Amsterdam that for years has been […]
Read more →csGrain Gets Granular Goodness on iPad 2/3; Vanguard of Multi-Platform Csound Renaissance
Technology may be about the next Big New Thing, but as with music making in general, making music with tech is for many of us a lifetime vocation. So, it’s welcome news to find that time-tested tools, maturing over decades rather than months, are enjoying greater use than ever before. We saw Pure Data (Pd) […]
Read more →Last Chance to Help Moog Foundation Teach Art of Sound Science in Schools; Why it Matters
Science and art, physics and music, come together and come alive in one place. You know where. Photo (CC-BY) Mikael Altemark. We’re here today not just because people like synths, or electronic music, or even music itself, but because the advancement of technology depends on kids learning about science and math. That was certainly the […]
Read more →Music Thing: A Radio Sequencer, How to Get Into DIY Synth Modules, How to Have Fun
Lured by the siren song of modular synthesis and DIY electronics, but not sure how to navigate the piles of requisite knowledge – or uncertain what the trip down this rabbit hole might have in store? For years, Tom Whitwell’s Music Thing was a beloved daily read, as that site and this one were among […]
Read more →3D Modular Sound Gets Real: Stunning AudioGL Demos, Crowd Funding, Beta Coming to You Soon
Electronic music making has had several major epochs. There was the rise of the hardware synth, first with modular patch cords and later streamlined into encapsulated controls, in the form of knobs and switches. There was the digital synth, in code and graphical patches. And there was the two-dimensional user interface. We may be on […]
Read more →