It’s 1986. Laurie Spiegel creates something unlike any software available at the time — an “intelligent,” algorithmic composer you can play as an instrument, for Mac, Amiga, and Atari ST. You’re at NAMM, and it’s 2026. Surprising everyone, Eventide announces they’re working with Spiegel to bring the original software to modern computers, preserving a breakthrough moment in digital music making. The mouse is back.
Read moreThe Tandy Corporation-manufactured, Radio Shack-sold TRS-80 computer debuted in 1977. But now you can now add full polyphonic MIDI support thanks to George Philipps and Michael Wessel. And it’s already transformed into a serious live instrument and production tool. Assembly cost: about $35. The TRS-80: a tool for the 2020s.
The 1982 Poly-61 was a grimy, cheap, raw-sounding quintessential 80s synth. It doesn’t have any of the star power of other Korg instruments or rivals from Roland and Sequential. So instead of a commercial remake, what we get is free. But it’s fantastic. It’s way better than you’d expect from a free plug-in. Meet the Full Bucket Music FURY-68.
brings together the latest breaking news on music, technology, gear, and live visuals. Got a project, found a news tip, or want to share your product? Submit to us directly.