This month, Absynth got two updates that refine its UI and editing navigation, freeing you up to shape your sound. Product designer Hannah Lockwood and Absynth creator Brian Clevinger join us to talk about the work they did on that. I already knew Hannah and Brian were really passionate about their craft, so let’s get our tour from the source — and dive into more Absynth sonic frontiers.
Read moreIf you need an excuse to suit up for an extravehicular activity in the cosmos of sound, Absynth is back again. Native Instruments quietly dropped Absynth 6.1, with oft-requested LFO retrigger and undo/redo, plus a surprise: a new audio modulator.
Back in green: three years after Native Instruments announced its demise, Absynth 6 makes an unexpected return from the dead. What we get is not just a rerelease, but the biggest update for the polysynth in its history, with everything from new filters and engine enhancements to a new UI and MPE. Early review: this is a polysynth you need to explore all over again — or discover for the first time.