Flow was the surprise of the Oscars: a true underground hit from Latvia’s writer/director Gints Zilbalodis. It’s beautiful, expressive, and intimate in a way that big-studio features are not. And it’s a triumph of making the tech operate on a human level, fully exploiting the free and open source Blender and its real-time render engine EEVEE.
To tackle the issue of noise pollution, Warszawa’s panGenerator brought immersive, spatial sound to the philharmonic. But they didn’t make that spatial audio virtual: tracks, skateboard motors, and speakers on karts put this installation into physical motion.
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