We have updated hardware classics, so why not software? Absynth’s original creator, Brian Clevinger, weighs in on what motivates his instrument creations and what strikes emotional resonance. From Native Instruments, Hannah Lockwood joins to talk about the user interface and the collaboration.
Read moreSequential’s new Fourm is a 4-voice polysynth with an all-analog signal path and polyphonic aftertouch and a price under a grand. To pull it off, Sequential designed an all-new expressive keybed and adapted their signature analog circuitry from the Prophet-5 (and Prophet-10). I spoke to Sequential about their instrument and the engineering that made it all happen.
There’s no grid, no harsh colors. Tinge swells and sways like a windchime, coming to life in spinning color wheels. It’s probably nothing like any arpeggiator you’ve seen before — or maybe it’s a “note agitator.” Co-creators Daedelus (Alfred Darlington) and Takuma Matsui (Rainbow Circuit) take us inside the process of how they created and thought about this new generative, responsive, playable melodic delight.
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