Motion Music Reviews
In masses of live electronic sound, Jad Atoui built an opus
It Will Take Forever moves through emotions in swells, as if pulling us through feelings. Composed and played live on modular synths from 2023 to 2025 in Beirut, Jad Atoui’s work almost sings grief through those electronics, in a world being ripped apart. Behind it, club-sized sub-bass impact rumbles like our own bodies. There’s now a video by Ralf Moussa, as well.
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Homesickness and loss in sound, from Detroit to Beirut: Layan Srour
What does it mean to grieve home — being away from home and actually losing home? What does it mean to express that grief in sound, and to create spaces and belong through music? Detroit-based, Beirut-raised Layan Srour asks these questions in her own work, the duo Taqsim, and in an event series called Jalasat.
The strength of grieving together, in Felisha Ledesma and Snakeskin
We live in a world of solitary trauma and unrealized grief. We can sit alone with our phones and see it reduced to images in an algorithm. We can see our loved ones go through trauma in ways we can’t even understand or reach. In Palm of Hand, through extemporaneous collaboration between Snakeskin and Felisha Ledesma, Malmö and Beirut, there is a healing expression of all this agonizing, fragmented experience. The result can be deeply centering, a balm to play on loop.
