In “Piano,” John Object captures emotional realities of war in Ukraine

Peter Kirn - August 9, 2023

Moments fragile, brutal, and sublime, in three new releases from Iran’s Zabte Sote label

Peter Kirn - June 12, 2023

In Dorico 5, refined notation and more realistic playback with less effort – even in Elements

Peter Kirn - June 5, 2023

Arturia Augmented BRASS makes it uncommonly easy to build up hybrid brass sounds

Peter Kirn - May 5, 2023

Dials, punch cards, and reels: watch how electronic music was produced in 1960s Germany

Peter Kirn - May 3, 2023

Brahmaputra to AI: debashis sinha on practice, body, humanness, and his double release

Peter Kirn - March 23, 2023

MAR10: Koji Kondo, Nintendo Mario Bros composer, talks music

Peter Kirn - March 10, 2023

A cheat sheet for all the wild things Noise Engineering’s Mimetic Digitalis sequencer does

Peter Kirn - February 22, 2023

Learn modular MetaSounds in Unreal, free, and start thinking in procedural sound

Peter Kirn - February 2, 2023

Here’s Jan Hammer in an 80s power suit rocking his Miami Vice theme on the Fairlight CMI

Peter Kirn - January 22, 2023