On the heels of Steep Stims, Clark’s latest full-length, we spoke at length about piano delusions, seriousness and play, film scoring, repetition, hardware, live performance, and the strange necessity of cultivating “friendly parasites” in the creative process.
Read moreIt’s a multisampler. It’s got 16 tracks. It’s an effects box. It’s got elaborate routing and multiple machines. It’s a modulation monster. Or to look at it another way, The Bride of Octatrack beast is here. Here it is at a glance.
Just as reality seems ready to blow off in a gale, Whatever the Weather II is here on Ghostly to pull you back to earth and the grace of the everyday. Loraine James – or I should say, the artist, Whatever the Weather – talks to CDM about how this full-length came to life.
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