We live in a world of solitary trauma and unrealized grief. We can sit alone with our phones and see it reduced to images in an algorithm. We can see our loved ones go through trauma in ways we can’t even understand or reach. In Palm of Hand, through extemporaneous collaboration between Snakeskin and Felisha Ledesma, Malmö and Beirut, there is a healing expression of all this agonizing, fragmented experience. The result can be deeply centering, a balm to play on loop.
Read moreTexas-born composer Maggi Payne has just quietly been busy being a legend over decade after decade. Well known to Mills College (as its Center for Contemporary Music co-director until 2018), if you don’t know her, you should. And this is just the kind of Sunday to gaze at some crystals and listen to her ethereal textures on the then already-vintage Moog modular Series III, in a tip straight from The Bob Moog Foundation.
Cinematic Laboratory has produced two films that are so beautiful, you can almost put them on as a soundtrack and visual atmosphere. Meet VHIKK X by FORGE TIME / Glasgow Synth Guild, and Kharper from ERROR Instruments.