MPE meets modular, strings: AAS Multiphonics CV-3, Osmose, Soliste

Multi-dimensional polyphonic expression, connecting gestures underneath your fingers, finally makes the full range of sound synthesis something you can feel. You might even want to practice, like when you first discovered instruments. Let’s take a quick break and look at some examples featuring AAS’ Multiphonics CV-3 and Osmose, for MPE plus modular, then a bonus round with Osmose and Soliste, for string lovers.

Yamaha’s VL1 launched physical modeling; it’s time to give it its due

What if an instrument revolutionized synthesis, but most folks didn’t notice? That’s the 1993 Yamaha VL1 in a nutshell. Its approach to modeling a range of instrumental vibrations, resonances, reflections, and articulations is deeply connected to instruments today. But most synthesists don’t know about it – apart from a handful of enthusiasts and people who read magazines in the early 90s. So it’s time to sing this unsung legend’s story.

Peter Kirn - June 2, 2025

Still from Haken Continuum video with hands on the red-and-black horizontal ribbon controller of the Continuum Fingerboard; visualization above with Harmonic Resonator, circles overlaid on keyboard showing multi-dimensional expression.

Haken Continuum deep dive, as composition blurs with sound design

Is it sound design? Or is it composition? Yes. Here’s a full exploration of the Haken Continuum, the oft-misunderstood expressive device, as a musical instrument, plus creations for the hardware. It might inspire you to rethink how you view digital interfaces for performance.

Peter Kirn - March 26, 2025

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