It’s a patcher inside a patcher. And that patcher has more patches that you can copy, randomize, and sequence. And in that patcher is a ton of glitchy goodness. PatchSeq, hot off the grill from Jeremy Wentworth and Voxglitch, is something special.
Read moreIn a single, fader-covered box with a capacious patchbay, Alt brings together creative, generative sound worlds beneath a unified interface. FM, dual filters, random slew, scales, light sensors, a mic: it’s not every day you see a device so obsessed with exploration. And now it’s in preorder mode, shipping in December, making me wish for a residency somewhere in a cozy arctic cabin or something.
For the final episode in this trilogy on learning Max for Live and Ableton DSP Objects, we’re going to keep the focus on working fast. We’ll learn how to use Ableton DSP to prototype instruments quickly, play expressively, and hack them with some tricks and mods beyond what the stock Live Instruments provide.
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