Morton Subotnick, singing out to new generations, in film premiere this week

Peter Kirn - October 31, 2022

Kyoka is imagining new worlds, playing machines, and exploring neurology: interview

Peter Kirn - October 26, 2022

Healing, history, and a future reclaimed: Nina Pixel deep dive from Signals Festival

Peter Kirn - October 25, 2022

How the Open Music Lab creates safe space for refugees, marginalized artists [Hacklab Inputs]

Peter Kirn - August 26, 2022

A five-story pyramid is backdrop for Kyiv’s music artists and queer performers

Peter Kirn - July 29, 2022

Crushing on your moustache… dark disco music video premiere with Local Suicide, Skelesys

Peter Kirn - July 18, 2022

“Singing Daxophone” makes incredible eerie quasi-vocals out of an experimental instrument

Peter Kirn - July 8, 2022

Hard as queer: Brutal Gegen releases and videos capture a party that’s defiant as ever

Peter Kirn - June 22, 2022

Beirut Synthesizer Center at Superbooth, on sharing and music in times of crisis

Peter Kirn - May 27, 2022

Superbooth Berlin preview: why the May edition will be an essential music culture event

Peter Kirn - May 3, 2022