For the final episode in this trilogy on learning Max for Live and Ableton DSP Objects, we’re going to keep the focus on working fast. We’ll learn how to use Ableton DSP to prototype instruments quickly, play expressively, and hack them with some tricks and mods beyond what the stock Live Instruments provide.
Read more01000011 01101111 01101111 01101100 00100001! Binary Synth runs in your browser, and translates any binary file from its zeros and ones into audio synthesis and MIDI messages. The code is available under an MIT license, too, if you want to play with it.
Deep in the annals of software’s virtual guts, its wires and nodes, what defines patching on the computer is that it’s eminently human. Perhaps in this age of instant results, that’s drawing a new generation to the manual, personal labor of computer construction. So now is a perfect time for Max-patching musician Tom Hall — and no one better to interview him than our friend David Abravanel.
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