Endorphin.es Ghost effects module V3: now with bit crusher, sample rate reduction, tweaks

Peter Kirn - February 17, 2023

data.train Max for Live instrument-effect mangles and transforms any sample or source

Peter Kirn - February 6, 2023

Flexible modular percussion, modulation: cool tricks with Tymp Legio, Peaks Dead Man’s Catch

Peter Kirn - January 22, 2023

Arturia now lets you choose hardware, software, or both for its synth: MiniFreak V tested

Peter Kirn - January 17, 2023

Teenage Engineering OP-1 field review, not a review: in the field, on an album

Andreas Roman - January 12, 2023

Deep dive on UNO Synth Pro: Complete guide to sound design and performance

Peter Kirn - December 29, 2022

Klevgrand Tomofon is a wild “audio model” instrument, capable of realism and extremes

Peter Kirn - December 16, 2022

1Uesday: the beauty of Intellijel’s Noise Tools 1U

Peter Kirn - December 13, 2022

Here’s what to know about Note, Ableton’s music sketchpad for iOS

Peter Kirn - October 18, 2022

Ableton Live 11.2 is out of beta – here’s what’s new, at a glance

Peter Kirn - September 27, 2022