Data Knot for Max is machine learning as musicians want it: human-focused

Peter Kirn - October 23, 2025

Tom Hall on Trip Computer, computer music on vinyl, and that “Max Sound”

David Abravanel - October 13, 2025

The making of Sequential’s all-analog, polyphonic, expressive Fourm

Peter Kirn - September 23, 2025

Daedelus and Takuma Matsui talk Tinge, a painterly color wheel arpeggiator

Peter Kirn - September 13, 2025

Lyra Pramuk on Hymnal, invention, and the spontaneity of slime mold

Peter Kirn - August 18, 2025

two men with blurred faces

Wrecked Lightship talk craft, inspiration, and drifting through Drained Strands

David Abravanel - August 15, 2025

Emptyset on “Performing Architecture,” alternate sonic futures, and community through sound

David Abravanel - July 14, 2025

RIP, Mark Snow: listen to the composer talk about scoring X-Files and more

Peter Kirn - July 9, 2025

Tom Oberheim turns 89 today; a conversation with Tom

Peter Kirn - July 7, 2025

Trans Music Archive opens, dedicated to physical preservation

Peter Kirn - June 17, 2025