KORG’s phase8, engineered by the skunkworks office in Berlin, has found some visibility. But what does it mean as an actual electroacoustic instrument? What’s it like to play? My Lemonade Stand video from Superbooth is out, along with others, so I thought I’d do some reflection
Read moreDeep in the forest of Superbooth earlier this month, Korg showed off some up-and-coming gems, if you knew where to look. That included a compact NTS mixer, updated Sinevibes effects for Korg gear, and add-ons for the phase 8 “acoustic synthesizer,” including effects you can 3D-print. I’ve done some digging on what it’s about.
Escaping the rigid, repetitive grid helps to make gestures the way we would on instruments. I’ve been talking to Tomavatars as he developed this one, and the MGenBend Max for Live Device lets you create elegant, multi-point curves for notes, strumming, and arpeggios.