It has a “broken” button and an eyelid that you can blink on and off. It lets you record or set feedback to 150%. It overdubs, it loops, it — does it in opposing directions. No, it’s not another tape delay/looper. Every single setting in TapeLeap from Mudjaq, for Max for Live, is bonkers and fantastic.
Read morePhilip Glass’ score for 1982’s Koyaanisqatsi is deeply moving, sombre, arresting – but have you really even heard it until you’ve heard it performed by Alvin, Simon, Theodore?
A little-known invention by Bob Moog in collaboration with mathematician/theorist David Rothenberg has come back from the dead. With 478 keys and 31 tones, just one was produced, and that unit fell into disrepair – until now. Rebuilt and rewired, it just took to the stage for a concert of music in all its microtonal splendor.
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