Back in green: three years after Native Instruments announced its demise, Absynth 6 makes an unexpected return from the dead. What we get is not just a rerelease, but the biggest update for the polysynth in its history, with everything from new filters and engine enhancements to a new UI and MPE. Early review: this is a polysynth you need to explore all over again — or discover for the first time.
Read moreSequential’s new Fourm is a 4-voice polysynth with an all-analog signal path and polyphonic aftertouch and a price under a grand. To pull it off, Sequential designed an all-new expressive keybed and adapted their signature analog circuitry from the Prophet-5 (and Prophet-10). I spoke to Sequential about their instrument and the engineering that made it all happen.
They’re built on the same platform, the development of which was overseen by the late Dave Smith. They cost roughly the same price and take up the same amount of space. But TEO-5 is not Take 5. Look to the Oberheim desktop instrument for the SEM multimode filter, linear through-zero FM, and its own unique effects. Here’s the synth Tom and team built.
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