Now that machines can employ their own scores, perhaps it’s a perfect time for scores that are imaginative, graphical, uncertain – human. Graphème is a new magazine celebrating these creations, and one composer is even making the process of printing part of musical creation.
Read morePodcast Twenty Thousand Hertz is already must-listen material, covering the stories behind sound design and branding. Now clear some headphone time for the story behind HBO’s goosebump-inducing 80s theme and iconic 90s angelic TV-switching-on opener, and beyond.
As Steinberg’s Dorico 4 matures, at last, we’re seeing a single, elegant tool that produces engraver-quality scores, but also the editing powers you expect from computer music.
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