Crispy claps on-demand, human and machine, meet a bunch of processing and sample Device tricks in CLÄPP II. London live-looping musician extraordinaire Beardyman had an itch and scratched it using Live and Max for Live, and the results are delightful.
Read moreRevenge of the Nerd: Look Mum No Computer, aka Sam Battle, will represent his country in Eurovision this year. And just like that, 100% of us are tuning into Eurovision and rooting for the UK. (Sorry, ‘schland.)
On the heels of Steep Stims, Clark’s latest full-length, we spoke at length about piano delusions, seriousness and play, film scoring, repetition, hardware, live performance, and the strange necessity of cultivating “friendly parasites” in the creative process.