There are few places on Earth where you can see the state of the live light and sound industry quite like Las Vegas’ LDI show. It comes with all the usual trade show trappings, from industrial espionage and theft to insanely expensive booths (and wastebaskets). But it also provides a glimpse into opportunities for individual and DIY artists to earn money, at a time when wide swaths of the creative industries feel like they’re coming unglued. That VJ/live visual or live sound career might be worth a second look. We got an exclusive report on the ground from Colin Keerhuen for CDM.
Read moreWe have updated hardware classics, so why not software? Absynth’s original creator, Brian Clevinger, weighs in on what motivates his instrument creations and what strikes emotional resonance. From Native Instruments, Hannah Lockwood joins to talk about the user interface and the collaboration.
Back in green: three years after Native Instruments announced its demise, Absynth 6 makes an unexpected return from the dead. What we get is not just a rerelease, but the biggest update for the polysynth in its history, with everything from new filters and engine enhancements to a new UI and MPE. Early review: this is a polysynth you need to explore all over again — or discover for the first time.
brings together the latest breaking news on music, technology, gear, and live visuals. Got a project, found a news tip, or want to share your product? Submit to us directly.