Guide: Creating instruments with Max for Live and Ableton DSP (pt. 3)

For the final episode in this trilogy on learning Max for Live and Ableton DSP Objects, we’re going to keep the focus on working fast. We’ll learn how to use Ableton DSP to prototype instruments quickly, play expressively, and hack them with some tricks and mods beyond what the stock Live Instruments provide.

Data Knot for Max is machine learning as musicians want it: human-focused

Data Knot is the best of AI and machine learning: low-latency, optimized, performance-friendly, responsive — a set of building blocks for gestures and sounds that you customize. Built on the Fluid Corpus Manipulation project (FluCoMa) by composer/artist and self-described “crazy person” Rodrigo Constanzo, it’s something else musicians and artists love, too: it’s free.

Panel: liberating music technology for Arabic music and beyond

Against the backdrop of AL.FESTIVAL, the Berlin festival centering music from the Arabic world and diasporic communities, we gathered an expert group to discuss liberating technology from some of its Western biases and exclusionary design. Now you can listen back (and read more), with artists ABADIR and Basel Naouri plus Ableton’s Dr. Laurel Pardue, as chatter ranged from critical views of futurism to ways software can mesh with Indonesian gamelan.

Peter Kirn - October 21, 2025

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