Enough!, compilation for Gaza, joined by call to sound from Dr. Ghassan

Peter Kirn - June 13, 2024

Digital synthesis, reenvisioned: Madrona Labs’ Sumu hands-on

David Abravanel - May 25, 2024

With a music center in Gaza destroyed, artists’ shelter is now the priority

Boutros Geha - May 11, 2024

Op-ed: Generative AI should be stopped for the good of autistic people

Peter Kirn - May 10, 2024

Sudan, with millions at risk: music and listening after one year of war

Peter Kirn - April 15, 2024

Music notation on a 4000-year timeline and more of music beyond Europe

Peter Kirn - March 26, 2024

Roland and Universal Music Group partner on “AI for Music”

Peter Kirn - March 21, 2024

LFO device in Max over top an Ableton Live session, showing the Presentation view. The Freeze button (set to unfreeze to allow editing).

Ableton has a new free guide to making better Max for Live devices

Peter Kirn - March 12, 2024

FACTS report: women, nonbinary artists still face inequality at festivals

Peter Kirn - March 8, 2024

Live screenshot showing fully-expanded Roar saturation/coloration tool, including multiband processing.

Twelve things to try in Ableton Live 12 right now

Peter Kirn - March 5, 2024