Here’s how to help after the earthquakes in Turkey and Syria, and how music is responding

Peter Kirn - February 12, 2023

USA set to more than double fees for artists in visa rate hike – but there’s a chance to act

Peter Kirn - February 10, 2023

Teenage Engineering OP-1 field review, not a review: in the field, on an album

Andreas Roman - January 12, 2023

Vocal techniques in Ableton Live, with superstar artist and teacher Claire Marie Lim, dolltr!ck

Peter Kirn - January 11, 2023

Resolutions: The music from 2022 that stayed with us and kept us coming back

David Abravanel - December 31, 2022

At Black-led Willie Mae camp, music tech exploration starts at age 5 – interview

Peter Kirn - December 31, 2022

Deep dive on UNO Synth Pro: Complete guide to sound design and performance

Peter Kirn - December 29, 2022

Deep dive on UNO Synth Pro: IK Multimedia’s compact dual-filter analog synths

Peter Kirn - December 28, 2022

“Words become plastic”: Stephen Mallinder, Cabaret Voltaire founder, polymath, interviewed

David Abravanel - December 23, 2022

Emmanuel De La Paix’s Terre brûlée, scorched-earth post-ambient: interview, video premiere

Peter Kirn - December 21, 2022