What do you do if you can’t find an instrument that you can play the way you want? In the digital domain, you can just invent one. So, when Brooklyn-based artist Nick Demopoulos wanted a controller that’d allow him to articulate digital instruments more like a guitar and less like a keyboard, he built his […]
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Easy, Durable Contact Mics How-To, with Sample Audio
You’ll find plenty of contact mic tutorials floating around the Web, but bassling (Jason Richardson) – working with a learned technique – has what I think is a really nice example, one that sounds really good. It’s easy to do, but unlike a popular tutorial (and one I’ve tried myself), you won’t wind up dis-assembling […]
Read more →Grid Machine Slice: Custom Kontakt Sample Library, Gone Mad
I tend to tune out when it comes to sample libraries, but here’s one that takes the scripting capabilities of Native Instruments’ Kontakt sampler to extremes. The Grid Machine line developed by Lindon Parker (Channel Robot) and distributed by LoopMasters brings to Kontakt the sort of grid-based, sliced-up sample manipulation we’ve seen in the monome […]
Read more →Remixing the World: A Sampler of Sampling, via Readers
The possibilities of a microphone and the world are limitless, so as this week we looked at a recording of music made with playgrounds, a mic, and Ableton Live, readers responded in kind with a fantastic spectrum of sampling-inspired, real world-produced musical wonder. From comments, a few examples: Diego Stocco, a favorite sound designer on […]
Read more →Eye Candy: Brooklyn Bowl Call for Works, Sample Videos, and How This NYC Venue is Set Up for Visualists
How can visualists and venues begin to forge a closer relationship? For one look at how the two can converge, we look at New York’s Brooklyn Bowl. Now, sometimes, I simply get things wrong. When CDM contributor Annapurna Kumar wrote about Brooklyn Bowl’s Eye Candy for Strangers open call, and its lack of compensation, I […]
Read more →IK Release iOS SampleTank, iRig; In Demo, Your Post-PC Future?
IK Multimedia this week is shipping both their SampleTank virtual instrument and iRig hardware MIDI interface for iPhone, iPad, and iPod touch. It’s not the first software instrument for iThings, but it is arguably the first appearance of a major, conventional computer soft synth in mobile form. MIDI interfaces, likewise, would require a comparison of […]
Read more →MachFive 3, in Pictures: Hybrid Sonic Powers, Nerdy Programming Features, and Prettiest Sampler Yet?
MOTU’s MachFive sampler, while perhaps not getting the kind of attention rivals from NI and Steinberg have, has had in its history some compelling features. Those features were in a multi-window interface, though, that not all of us loved – while I can’t find the review, I know when I covered it for Keyboard, I […]
Read more →Moogerfooger Cluster Flux Analog FX: Hands-on with Moog’s Chief Engineer; Sound Samples
There’s a new analog Moog effect in town. So who better to tell us about it and get us some hands-on time than Moog Music’s Chief Engineer? Moog’s next Moogerfooger, the Cluster Flux or “MF-108M” if you want to sound more serious, promises to be a versatile analog effect processor. It’s a flanger / chorus […]
Read more →Sibelius 7 Notation Software: Updated UI, More Samples, 64-bit, More Interchange and Sharing
Avid released Sibelius 7 yesterday. Highlights in the new version: A new UI. The most apparent change is a new user interface with dockable, tabbed panels. The design borrows heavily from Microsoft’s Office Ribbon, though a more subdued appearance makes it look just as comfortable on the Mac. My guess is that power users may […]
Read more →Your iOS Device Gets MIDI with Thru and Power – and 1 GB of Samples – from IK
For connecting music hardware from the 80s, 90s, 2000s, and today, you can’t beat MIDI and the standard MIDI connector (5-pin DIN). This week, both IK Multimedia and Line 6 announced adapters that support Core MIDI. Previously possible on iPad via the Camera Connection Kit, the new adapters support the 30-pin dock connector for the […]
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