It’s a great feeling to support good causes – and, if you’re lucky, walk away with a prize. Let’s use the excuse to marvel at some lesser-known vintage design and queue up some Moog videos. Hey, there are no new shows right now, so here’s our kind of “M”TV.

Imagine entering an inspiring electronic music studio and getting free reign to play. Now imagine the price of admission for each synth is the cost of a beer.

The depth and flexibility of insanely powerful platform SuperCollider meets a beautiful recreation of the TR-808 in the “experimental 808,” SC-808. And now it’s available in an expanded Advanced edition.

Will there be a future version of Ableton Push following Push 2? Most probably. Is this it? Absolutely not.

Do you feel like screaming? Do you wish a crowd of people would lift you over their heads and carry you off to the sound of distortion? Here’s the movie for you.

The Swedish roboticist who dubbed herself “queen of s***ty robots” has made a musical instrument out of chattering teeth. But that’s just the start – the toolkit she used has been used on all kinds of new musical inventions.

It’s the strange, warm warble and distortion of a mixtape that had been taped over too many times and left in a hot car – now in your mixes, for free.

If you thought the mono/duo/paraphonic MatrixBrute was an audacious synth with a lot of bells and whistles, wait until you meet its polyphonic sequel.

It’s 1990. Nintendo has just leaped into the 16-bit age. And the voice of its new Super Famicom (SNES) console is about to open a window to a world of lush, glossy sound. Now, just shy of 30 years later, that spirit has taken plug-in form.

Pioneer’s new CDJ is likely to be controversial because of its launch timing and – Key Sync. But it does indicate where things are going, and clubs shuttered by the virus will open again. Really. So let’s have a look.