Spotify has begun opening uploading not just to labels and distributors, but individual artists. And the implications of that could be massive, if the service is expanded – or if rivals follow suit.

Music, film/TV, games… yes. But another frontier is opening for sound design you might not expect: cars. That has led automaker Jaguar to sound designer Richard Devine, and that in turn means when this Jag accelerates, it sounds like it’s headed into hyperdrive, bound for the outer rim.

Call it the virtual reality microphone … or just think of it as an evolution of microphones that capture sounds more as you hear them. But mics purporting to give you 3D recording are arriving in waves – and they could change both immersive sound and how we record music.

Okay, fine, Detroit, Berlin. But don’t forget Melbourne raves: home of the Melbourne shuffle, Internet-loving cyberdelica, and apparently, Julian Assange raving hard back in the 90s.

“Expressive control” has largely translated to “wiggly keyboards” and “squishy grids,” with one notable exception – the unique, paddle-like Touché from Expressive E. And while keeping essentially the same design, they’ve gotten the price down to just US$/EUR229, making this potentially a no-brainer.

In a sea of synths that embrace retro vibes or big form factors, futurists and minimalist design lovers have eagerly awaited the Teenage Engineering OP-Z. And that wait is nearly over.

Forget about gear fetish: the delightful surprise behind the modular movement is that a whole bunch of people are interested in exploring weird new musical ideas. And one of the sequencer modules at the heart of it is getting a big refresh.

“Shoulder synthesizer”? “Strap-on keyboard?” No, Roland is calling their latest keytar a keytar – and giving into 80s retro vibes. And it’s a vocoder. And… you might kinda want one.

It’s Moscow’s quirkier, playful side that’s probably easiest for us foreigners to miss. But Kate Shilonosova (Kate NV) is earning an international audience for her introspective, surrealist whimsy, and one that’s well-deserved.

Roboticist, composer, and futurist Moritz Simon Geist has made an entire album using robotic machines. It’s stunning to behold – and he tells you all about how it developed. Let’s watch: