V4CO is more devilish proof that in Eurorack, anything is possible – even the improbable, unruly, and joyfully unwise. More than just an oscillator, it’s a demented, destructive voice combining 8-bit wavetables, sub-bass, overdrive, and VCAs, adding patchable circuit-bending mayhem with the GLITHc expander.

How about Commodore AMIGA-style sampling – complete with pixel UI, lo-fi sampling styles, vintage time-stretching, and both modern and Amiga file support – in a plug-in? It’s Amigo Sampler, it’s got a price point from a fish and chips shop, and it sounds wicked. (The plug-in, and the music from the folks making it, too…)

The world’s biggest music company has now teamed up with one of the world’s leading instrument and music creation tech makers to weigh in on the growing AI boom. Mostly what we get is a set of general principles – but talking about who made music for the data sets is central, and it could be an indication of musician/instrument/music industry partnerships to come.

Diagnosing the problem is easy – streaming is fundamentally broken and opposed to artists’ interests and no one likes it. But finding a solution? After going viral with a rant about streaming, James Blake has revealed his answer – but it’s one we’ve seen before.

Minimal Audio continues its straightforward standalone effects series with Flex Chorus. This is a thoroughly modern take on the genre with two very different-sounding modes, each calibrated for timbral character enhancement and big stereo.

Between samples and synth, sound design and performance—and with a heaping dose of machine learning—Visco is a new way of imagining a beat construction plug-in. But what you’ll probably notice first is that you get to squish around a futuristic blob of goo like it’s space-alien Silly Putty.

In celebration of eccentric artists inventing tiny unexpected things to fit into single-row Eurorack, it’s again 1Uesday. And we’re extending our antennas to pick up FM radio broadcasts on this episode.

Artist Owen Hindley, working in TouchDesigner, tackles the dense, pulsating track “Harmonic Dream Sequence” by Dustin O’Halloran (A Winged Victory For The Sullen). It’s a dark contemplation of the insatiable appetites of Big Data and AI, translated into strangely beautiful clouds of particles for an equally gorgeous track.

Polygonia, aka Lindsey Wang, is expanding techno into imaginative blossoms of percussion and pattern. But she’s also doing some terrific tutorials. Where to start? A terrific breakdown of constructing high hats from scratch in Ableton’s Operator might inspire you.

Jawad Nawfal, aka Munma, is in the spotlight with two transcendent releases for Ruptured Records: one album on modular, and one in an all-star trio along with Sharif Sehnaoui and Jad Atoui. This is don’t-miss music to lose yourself in, from Lebanon’s exceptional, tight-knit improvisational scene.