Now, we get to transport you to the toy store of sound-making gadgets that is the NAMM show in Anaheim, California. James Grahame, the engineer behind MeeBlip, gets to show off his love of synthesizers in his photolog. And we see some of the big winners at the show for electronic instrument lovers: Boutique makers […]

Give Robert Henke a computer, some lasers, and some time to make his own tools as well as his own music, and wonderful things result. In a new video (German, with English subtitles), he gives a master class not so much in technology as the philosophy of using that technology. Robert Henke – now increasingly […]

This habit of wanting to separate tools from “music” is surely a curious one. Instrument construction has always gone hand in hand with musicianship, a conversation between player and builder. It has defined the possibilities of performance. And now, tools embed in them structural ideas, compositional ideas, the imagination of what a work is about. […]

Let’s get one thing straight: Theremins aren’t digital. (Apologies for the headline for a moment, but stay with us.) Theremins are based on perhaps the most important analog process there is in sound, heterodyning. And Leon Theremin can’t claim credit for this, nor Bob Moog or USA or Russia or Germany – it’s initially Canada, […]

“On a western device, you push a button and get a result. On a Soviet instrument, you push a button and get something.” -Benzo When music was first electrified, it was nothing short of a revolution – literally. And as today’s technologies again attempt to fuse human and machine, there’s no better time to connect […]

In two instruments, we’ve seen the latest future of Moog. One looks like the future, white and flying-saucer-like, a 70s retro-scifi egg/baguette with an equally futuristic sound. The other expands on the latest Moog synthesis ideas to create a vast timbral galaxy that we’ll hear more in the future. Moog’s Theremini gestural instrument and Sub37 […]

Korg’s RK-100 turns 30 this year, marking a milestone for one of the first keytars. (KORG is using the term “keytar,” not the less-pleasant-sounding “strap-on,” and who am I to argue?) It’s easy to forget that part of the reason that keytars made an appearance briefly in the mid-1980s was that the role of the […]

Our own Marsha Vdovin is working the NAMM floor, too, and her radar is leading her straight to some really nice gems. I had to pull two of these out, as they’re big surprises and look tasty indeed. And who would have thought a filter and a Theremin would be news? Well, these are drool-worthy, […]

We’ve got grids, more grids, and disco grids. We’ve got fake platters and big, whirling plates. We’ve got iPads and things you wave around in the air. But as controllers have embraced digital design, the number of controllers that have the logical layout of a mixer has, remarkably, diminished. And what really don’t have much […]

It may lack every feature of the Octatrack or the digital drum workflows of Machinedrum. (At least that’s what some of you have told us – attached to your gear, perhaps?) But I’m betting for many, Analog Rytm’s combination of dedicated analog architecture and sample support is attracting some interest as a balanced solution for […]