ArKaos is a long-standing name in VJ apps, as one of the tools that defined the genre in the 90s. GrandVJ has been gradually evolving with a more modern foundation, marked by a simple, musical, performance-oriented interface and high-performance playback. Its engine is the same as powers high-end media servers – but at a fraction […]

On Create Digital Motion today, I write about the 1.5 release of ArKaos GrandVJ, the latest version of the popular Mac and Windows VJ tool. The big innovation: insert a VST plug-in into software like Ableton Live, and you can pipe MIDI and audio to your live visuals for easy synchronization and collaboration. You can […]

A robot guitar may not injure a human guitarist, or, through inaction, allow a human guitarist to come to harm. A robot guitar must obey any orders and tunings given to it by human guitarists, except where such orders would conflict with the First Law. All human and robot guitarists must enjoy guitar hardware, so […]

Amidst renewed conversation about what drum machines should be – see heated comments – it’s enlightening to revisit the drum machine as marketed in 1982. This vintage Linn Electronics LM-1 “Drum Computer” ad captures a moment in the birth of the modern drum machine. Some of what’s desirable then remains desirable today. Others – “Real […]

What are those alien, otherworldly sounds coming out of the iPad? That’s not GarageBand. It’s what happens when Reed Ghazala, the father of circuit bending some decades ago, meets the iPad. Not that it’s his first encounter with products from Apple – he’s been approaching that company’s hardware as he does everything else, prying unexpected […]

From top: a 2010 example of the mapping techniques at work, a workshop that launched the new software tool. More than a gimmick, projection mapping – calibrating visuals to various projection surfaces in 3D – has become an essential technique in live performance visuals. That means visualists will inevitably be looking for tools that help […]

“You had to be there.” Live performance has always been dictated by being present in a particular place, at a particular time. Now, the same is true of an interactive album produced by brothers Hays and Ryan Holladay, aka Bluebrain. Both a two-man band and a two-man development team, there’s no clear dividing line between […]

We’ve been watching Harrison Mixbus, a DAW and mixing, editing, and recording workstation, as it has matured. In a crowded world of similar tools, this tool, powered by the open source Ardour DAW, nonetheless sets itself apart. Robust, console-style mixing meets modeled Harrison DSP and extensive editing options, appealing enough that many Mixbus users employ […]

Portal 2? It’s only love, and that is all. Following the score in adaptive – and freely-downloadable non-adaptive – form. Photo (CC-BY-ND) _Superbeast_. Game lovers may lap up anything the title Portal touches as though it’s covered in powdered sugar, but resident Valve Software composer Mike Morasky deserves special mention. His music for Portal, and […]

“Cross-processing” in the film domain involves using the chemicals intended for one kind of film on, essentially, the wrong kind of film. After discovering some effects by mistake, the technique largely makes use of negative image. But what if the idea, conceptually, were applied to digital video? This workshop in Portugal by No-Domain explores the […]