Quit your job, leave your loved ones, stock up on food, and get ready to destroy your life with videos from YouTube. Network Awesome, a kind of curatorial “TV” network full of free online videos, has been assembling the best documentaries dealing with electronic music online, with hours and hours and hours of things that […]

If, in my opinion, you want to see how to run a label in 2012, look no further than Project Mooncircle (PMC). It’s based out of Berlin and was originally an offshoot of HipHopVinyl Records – a store I wandered into one summer day in 2004 and left, several hours later, minus a quarter of […]

Finding new sounds in our pulsing electronics means refining our working techniques isn’t just a technical matter. It’s a musical one. King Britt, who has been granted many successful musical incarnations over the years, set off on just such a quest under his new identity Fhloston Paradigm. In a much-watched debut EP for brilliant UK […]

The name “Jupiter” evokes some strong feelings among synth aficionados. Little wonder, than, that when Roland introduced a modern successor, the response was impassioned. CDM was one of the first to look in detail at the Jupiter-80, and I was surprised – given the tendency of this readership away from massive flagship keyboards – to […]

In splashes of groovy texture, three shorts by director Elliott Sellers from late last year celebrate Dublab, the Los Angeles non-profit Web radio collective. They’re doubly worth mentioning – both for the geometric, swinging video goodness of the video, and as a window into the energy behind LA’s Dublab radio. For his part, Elliott Sellers […]

Futuristic technologies, now found … in the past. Maybe that explains the sound of a lot of new music, says CDM contributor Matt Earp. Photo (CC-BY-NC-SA) ReallyBoring. What happens as music peers through the gauze of memory? Our contributor Matt Earp asks that question with the second installment of the new series, CREATED, a column […]

Even the artwork changes. This is my personal copy – #148. Digital: disposable, identical, infinitely reproducible. Recordings: static, unchanging. Or … are they? Icarus’ Fake Fish Distribution (FFD), a self-described “album in 1000 variations,” generates a one-of-a-kind download for each purchaser. Generative, parametric software takes the composition, by London-based musicians-slash-software engineers Ollie Bown and Sam […]

Even before we get to the “open source hardware” angle, it’s special just finding something that can function as a self-contained, digital visual instrument. And Milkymist more than qualifies, as a video synth that can produce seemingly-endless generative outputs from raw image and live video inputs. But it is significant that this is open source […]

Electronic music making has had several major epochs. There was the rise of the hardware synth, first with modular patch cords and later streamlined into encapsulated controls, in the form of knobs and switches. There was the digital synth, in code and graphical patches. And there was the two-dimensional user interface. We may be on […]

The evolution of what we now call “DJing” is inseparable from the turntables and mixer. So, what happens when you enter the digital domain and you really don’t need to refer to either device? Many digital DJ controllers have simply mimicked those previous inventions, with virtual tables and a mixer-style layout. To some extent, they […]