The underground treasure trove of “avant-garde artifacts” is back on the Internet, a source of light even in days of darkness.

It’s free, it’s fast, it’s fun, it’s bop for the free Pure Data Vanilla. It runs on old computers. It runs on Raspberry Pi. “You probably don’t have any use for bop,” its developer says humbly – but wait, with everything from text sequencing to reverbs to esoteric musical notation, this looks great!

Chappell Roan didn’t just win a Grammy: she used that stage as a platform to call out industry abuse and demand a living wage for artists. And she did it in an enormous hat. There is a call to action for just this kind of change inside the USA – one that’s relevant advocacy worldwide.

YouTube has disabled the account of plugin developer Sinevibes, citing violations of the platform’s “spam, deceptive practices and scams policy.” There’s no rational reason for that, and it’s the latest chilling example of how severely dominant tech platforms can disrupt businesses. Here’s more:

Hexler has done it. Every single platform of this multi-touch MIDI and OSC control app now has native multi-touch support: Windows, macOS, iOS, Android, and now Linux. And what better way to show it off than on a SteamDeck?

1980s animated Jem and The Holograms was peak Hasbro Saturday morning cartoon and peak US synthpop era. For a glimpse into those two worlds, travel back to an imaginary 1988 synthesizer shopping spree with Jem and the Holograms. That’s right: Jem and Minx went to NAMM.

Week after week, Georgia is still, still in the streets. Composer Natalie Beridze has transformed recordings of Tbilisi in November and December into a powerful, haunting, full-length wash of sound for Street Life – as the protests continue.

Pigments 6 is available now. With a new synth engine, a vocoder, and expanded filters, modulation, and granular capabilities, Arturia’s sound design playset is deeper than ever. But it’s never overwhelming, and this release is the most refined yet. Here’s a review.

Predating the iPhone by half a decade, JazzMutant’s Lemur brought Star Trek visions to life* and established many of the multi-touch interactions to come. But its beloved iPad port has been unavailable — until now.

It’s a different vision of a festival and exhibition, one that bubbles up from the Kiez instead of being collected in modern palaces. For the next few days, artists from the Berlin neighborhood around Kottbusser Tor will reveal their self-image in communities in exile.