Video has come to blogging / media sharing, via vimeo — think flickr for photos. (The name embeds the word 'me' in the word 'video' for word geeks.) The most interesting feature is the service's ability to combine video clips into a single stream. It's blog TV. You can't upload yet as the site is […]

Once commercial software, a powerful audio/video editor is now still supported, but at a new price of — nada. Our friends at Samplepoolz report that Arboretum has turned HyperEngine-AV into a free download. Better yet, the code is open source, so we could see some exciting developments with this program. (Programmers out there?) HyperEngine-AV is […]

The Commodore 64 computer is no longer legendary for, er, performance and power, but it is legendary for its built-in synthesizer chip, the SID. Lovers of this phat-sounding analog chip will go to great lengths to feed their nostalgia: Butcher an actual C64 and build your own MIDI-capable SID synthesizer (via hack-a-day) Add a real […]

As part of CDM's ongoing construction of the "Completely Free Studio," I'm working on assembling good freeware hosts for Windows and Mac. (Linux, of course, being a no-brainer!) Here's what's on my recommend list at the moment: Audio editor: Audacity (open source), Win/Mac/Linux, with the addition of the VST Enabler / LADSPA bridge for Linux […]

Today I'm speaking to an audience at the Ammerman Center for Arts and Technology of Connecticut College about finding a meeting place between visual expression and sound. For attendees (and you readers at home), here are some helpful links: Physical Modeling and Sound Creation: Apple's Logic (Mac-only) is deep as it is, but its Sculpture […]

Open source Linux drum machine Hydrogen has made its way to Mac OS X; Johnathan Dempsey has created binaries for easy installation (10.3 required). Hydrogen is still in development, but this is worth trying, and you can bet you'll see many more Linux audio tools on the Mac. Install Jack first if you haven't already, […]

We have updated hardware classics, so why not software? Absynth’s original creator, Brian Clevinger, weighs in on what motivates his instrument creations and what strikes emotional resonance. From Native Instruments, Hannah Lockwood joins to talk about the user interface and the collaboration.

My hips are sad. These promos are not moving them; they’re squashed to hell, grooveless, and it’s about as fun to dance to as an Airbus engine drone.* I know how to solve this: N.A.A.F.I, the Mexico-based international label with its unique voice and rhythms patterned on the likes of tribal guarachero, spun by its family of producers into deeply personal bangers.

Tokyo-based startup Dreamtonics is doing unparalleled work with AI-powered voices; their Synthesizer V Studio enables a level of precision that combines that of recording and synthesis. Add that to Steinberg’s Dorico scorewriter, and you get a machine mockup of solo singers and choirs that we’ve never heard before. But there are a lot of details involved — so let’s hear from an expert.

Mix in 3D, drop in 3D objects, lighting, text, particle systems: EboSuite Sensei delivers an entirely new ecosystem of modeled 3D VJing. Powered by Unreal Engine under the hood, SenSei runs as entirely self-contained Ableton Live Devices. And the results are already impressive – even on an M1+ Mac or decent PC GPU. EboSuite had […]