The Hewlett-Packard Word Generator 8006A has become an unintentional legend of sound lovers, transforming this obscure lab equipment into a kind of instrument. So you knew that a Hainbach/AudioThing collab to produce a software version was inevitable. B00GA is available now as a macOS, Windows, or Linux plug-in, or an iOS/iPadOS AUv3 plug-in or app.

It might be a funny intersection of interests. But developer Matt Greenwood built a macOS-native clone of the legendary Winamp in Swift, MIT-licensed, with MP3 and FLAC playback and Milkdrop visualization support (including fullscreen).

For the final episode in this trilogy on learning Max for Live and Ableton DSP Objects, we’re going to keep the focus on working fast. We’ll learn how to use Ableton DSP to prototype instruments quickly, play expressively, and hack them with some tricks and mods beyond what the stock Live Instruments provide.

Data Knot is the best of AI and machine learning: low-latency, optimized, performance-friendly, responsive — a set of building blocks for gestures and sounds that you customize. Built on the Fluid Corpus Manipulation project (FluCoMa) by composer/artist and self-described “crazy person” Rodrigo Constanzo, it’s something else musicians and artists love, too: it’s free.

Despite bombing, drone attacks, and sleepless nights, Kyiv continues to support a burgeoning experimentalism in sound, driven by an appetite for noise and engineering. And it’s bringing more people into that community. Here’s a look inside.

What if you could drop in a bunch of stems and let a plug-in mix and master for you, subtly or to extremes, with no “AI” involved? That’s the latest idea from Tim Exile, and it’s produces such quick, varied results that it can serve as a one-click way to hear your mix creatively from a different angle. Just when everyone had forgotten about Instagram filters, we finally see their equivalent in music. And it’s a delight.

Louna Sbou, the director of Berlin cultural space Oyoun, is one of hundreds of civilians whom Israel illegally detained in international waters yesterday. It’s yet another moment highlighting the ongoing genocide. Here is my appeal to all my friends and colleagues across culture and creative technology in Germany: will you do something?

You know Max for Live can help you create your own instruments and effects in Ableton Live — but you’ve got to take the first step. Max 9’s addition of ABL objects gives you a huge leg up, unlocking Ableton’s own DSP building blocks in ready-to-mod form. Let’s dive straight in, because this is both an easy entry point for absolute beginners and a toolset that’s useful to experienced patchers, too.

Sequential’s new Fourm is a 4-voice polysynth with an all-analog signal path and polyphonic aftertouch and a price under a grand. To pull it off, Sequential designed an all-new expressive keybed and adapted their signature analog circuitry from the Prophet-5 (and Prophet-10). I spoke to Sequential about their instrument and the engineering that made it all happen.

There’s no grid, no harsh colors. Tinge swells and sways like a windchime, coming to life in spinning color wheels. It’s probably nothing like any arpeggiator you’ve seen before — or maybe it’s a “note agitator.” Co-creators Daedelus (Alfred Darlington) and Takuma Matsui (Rainbow Circuit) take us inside the process of how they created and thought about this new generative, responsive, playable melodic delight.