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Director of Oyoun, Berlin cultural space, among illegal flotilla abductions

Louna Sbou, the director of Berlin cultural space Oyoun, is one of hundreds of civilians whom Israel illegally detained in international waters yesterday. It’s yet another moment highlighting the ongoing genocide. Here is my appeal to all my friends and colleagues across culture and creative technology in Germany: will you do something?

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Guide: Get started patching in Max for Live with abl Objects

You know Max for Live can help you create your own instruments and effects in Ableton Live — but you’ve got to take the first step. Max 9’s addition of ABL objects gives you a huge leg up, unlocking Ableton’s own DSP building blocks in ready-to-mod form. Let’s dive straight in, because this is both an easy entry point for absolute beginners and a toolset that’s useful to experienced patchers, too.

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The making of Sequential’s all-analog, polyphonic, expressive Fourm

Sequential’s new Fourm is a 4-voice polysynth with an all-analog signal path and polyphonic aftertouch and a price under a grand. To pull it off, Sequential designed an all-new expressive keybed and adapted their signature analog circuitry from the Prophet-5 (and Prophet-10). I spoke to Sequential about their instrument and the engineering that made it all happen.

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Daedelus and Takuma Matsui talk Tinge, a painterly color wheel arpeggiator

There’s no grid, no harsh colors. Tinge swells and sways like a windchime, coming to life in spinning color wheels. It’s probably nothing like any arpeggiator you’ve seen before — or maybe it’s a “note agitator.” Co-creators Daedelus (Alfred Darlington) and Takuma Matsui (Rainbow Circuit) take us inside the process of how they created and thought about this new generative, responsive, playable melodic delight.

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Here are the best Labor Day Weekend deals right now, shipped in USA

Sure, the tariffs and shipping are a mess, but — you can still find some fantastic gear deals at the moment. That includes new gear and new modules, plus some unique used deals and special discounts. Here are a few of the best.

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“The Webb Ellis Cup completes visit to Dubai as part of Rugby World Cup Trophy Tour” by Land Rover MENA, CC BY 2.0

Trump tariffs bring chaos, as shipments halted from Europe, Asia

The Trump administration’s trade policies do more than increase costs for US consumers. Their historic scale and disorganized rollout are causing global disruptions. That hurts independent music gear makers and label owners. It’s also ironically likely to cripple manufacturers trying to work in the USA. The only (sort of) good news: shippers and exporters are trying to find solutions, and at least some of the disruptions should be temporary. But those solutions won’t come free.

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Death dances and liberatory sounds of I Shall Sing Until My Land Is Free 

What can music do against darkness? It may be our one fuel for emotions, a weapon against depressive inertia. Today, on Ukrainian Independence Day, it’s a perfect day to catch up with Ukrainian label Prostir/I Shall Sing Until My Land Is Free — especially as these platforms have been a hub for solidarity with other resistance struggles worldwide.

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Listen to 8 hours of sound dedicated to Palestine — and act

Music and sound are not action — at least, not normally. But sound can recenter you, rewire your brain, and let you catch your breath before that action. So I find myself returning to this eight-hour broadcast by London’s Sister Midnight FM, which includes Palestinian artists who have long been featured on CDM, including Muqata’a, bint mbareh, and Dakn.

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VDMX 6.2 update, plus a don’t-miss free music visualizer for everyone

Summer vacation? You can tell a USA-born project because it doesn’t take one. Vidvox has a nice update to their VJ/live visual app VDMX that captures inter-app audio. And for absolutely any Mac user, there’s an awesome music visualizer that’s totally free — bringing you back to the fun you had with visualizers back in the day. Milkdrop is back on the Mac!

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Lyra Pramuk on Hymnal, invention, and the spontaneity of slime mold

Lyra Pramuk’s Hymnal is an ecstatic, prophetic vision, a hybrid of synthesis and organicism in an improvised compositional structure with processed voice and strings, conveyed with striking intimacy. Lyra talks to us about inventing culture and reconnecting with musical roots while unlearning, all at once.

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