What can the city of light be as a hub for TouchDesigner? Recently, the debut summit there offered a first look. The media art scene is defined by its communities — how they share practice and push one another further. So we invited Amir B Ash (OVVO Studio, MUTEK.AE) for insights into what Paris’ first TouchDesigner meeting brought and how you might apply it to communities where you live.

Sonic Pi creator Sam Aaron is building something new. It’s early days, but Tau5 promises to be a “next-gen” creative coding environment. You can use it with your favorite tools, including Ableton Live, hardware, TidalCycles, Hydra, and others. And you never have to feel alone: you can jam with others, code with friends, and even code with AI — or keep it all-human if you prefer. Let’s explain.

Roland has largely shifted product announcements to other dates, but 808 Day is still a party. And every year brings some left-field surprise. This year, it’s animated films. But that’s perfect for your 808 Day celebration, even if it’s just a party of you, a drum machine, and a night off.

Four artists/researchers, three collectives: Leilani Hermiasih, Ari Wulu, Andreas Siagian, and Wok The Rock; Gayam 16, Instrumentasia, and Yes No Klub. Starting today through August 17, they’re launching the first GAUNG electronic and experimental music festival in Yogyakarta, switching on a “power station” for the scene across Indonesia. It’s a different way to run a festival — even a different way to understand what a festival is — so let’s take a look at what they’re doing.

It’s time again for that trip-to-the-candy-store feeling with VCV Rack: the Eurorack rush without spending anything at all. Since our last episode, we’ve gotten new 4ms Roland-style drums, some unique stuff from Venom, a trio of chaotic oscillators, and a sequencer inspired by the legendary HP 8006A Word Generator. Hands-on with these open-source creations — let’s go!

We’ve followed musicians in Palestine for years. Now the situation is an emergency. Palestinians are facing forced starvation. There’s not much to add beyond this message from Ahmed Muin of Gaza Birds Singing: the music stops. Let food in now. Ahmed’s silence is a call to end our own.

Get a phone, scan the world, make 3D models and scenes. You know the pitch, and it’s been powerful for advanced pros and visual hobbyists alike. But Epic’s own RealityCapture had fallen behind offerings like PolyCam, Luma 3D, and others. Now Epic is back, and we might have a reason to reconsider, with a rebrand, a mobile update, and some powerful features on desktop (Windows-only at the moment). Plus, the price is right: free for anyone with revenues below $1 million. Let’s look:

Emptyset’s live performance was an experience that blew my mind — and my nose. Let me rewind. If “Electronic Body Music” weren’t already its own thing long before Emptyset came along, the term would be a fitting description of the music that Paul Purgas and James Ginzburg make together. The curves, blood, and nerves are […]

Has that DAW grid got you down? Do you feel like you’re caught in the 1980s looking at a multitrack editor? Have your friends stopped talking to you because they want more breaks and intelligent rhythms so they can put those new sneakers to proper dancing use? Renoise is back with features like a phrase scripting engine powered by the new open-source pattrns (with Tidal notation support), full tuning support, sub-signal effects splitting, and more. $88 new. Holy mother of God, it’s nerd Christmas in July.

Sting 2, Iftah’s follow-up to the acid-generating Max for Live device, is packed with new features like accessibility and Push support. But that’s not the best way to describe it. It works on acid. It works on melodies. It works on percussion. You may wind up smiling as much as its UI is. Imagine a one-click source of pure joy.