Young independent outlet Megaphone tells the story of Irtijal Festival’s impact on Beirut and Lebanon through local eyes and a compilation of the folks who made it happen. It’s a must-watch as a way of reflecting on the spaces we create for music in all parts of the world.

Today, Ahmed Muin, director of Gaza Birds Singing, rose with drones loudly buzzing in the background. The sound of bombings through the night in Gaza has been relentless, he says. But he’ll join live with the Hebron/Bethlehem Amwaj Choir in a livestream today, a second musical encounter defying violence and starvation.

GRM Tools was one of the first plug-in suites available, the product of Paris’ GRM research center. It’s always been a unique, composition-focused toolset. But I’ve seen its future, and it’s on a whole new level, allowing open-ended modulation and multichannel signal processing that’s unlike anything else.

This is the Ableton Move update we’ve been waiting for. Ableton’s compact controller/standalone now gets proper MIDI implementation and slices up samples. Plus, you get the Auto Filter from Live 12.2. That’s in addition to other recent updates. Here’s your guide to what’s new.

SpaceBlender is technically a reverb, but don’t think of SpaceBlender as a reverb. Soundtoys’ new “imaginary space machine” uses a unique algorithm to produce rich new timbres and deep, cosmic, smeared wormholes of sound and texture. It’s a cross-breed of swarm synthesis and reverberation. I’ve been beta testing and talking to the developer; here’s the scoop – and act fast, as it’s free through May 22.

Arturia’s latest refresh of their sprawling V Collection is here today. In addition to updates across the Augmented line and the inclusion of the latest instruments, there are two surprises: a layered “lo-fi” synth and an instrument of the Roland JP-8000. Yes, really, the JP-8000: sometimes you want the 90s and 2000s and not only, like, the 70s and 80s.

If you don’t know the hyperfuturist post-anthropocene duo* MIRA新伝統 aka Honami Higuchi and Raphael Leray, you need to. But now for three bucks – $3!! – you can drop their absolutely addictive Max for Live mayhem into your Ableton Live set. Should you? You should.

OXI ONE MKII is inbound, with preorders about to start. OXI Instruments is taking their packed grid sequencer and adding more of everything, while keeping the compact size. (Missed opportunity not to call this the “one two,” though!)

Hey, kids, look, it’s the Easter Bunny! And listen to the way the beast helps your beautiful song to evolve! Okay, if the folks at Caelum Audio wanted to sell us on their new DynaBit plugin, this isn’t the worst way – especially as even this holiday freebie has some powerful features. They’ve got some other free downloads, too.

Benn Jordan’s latest video proposes a way to fight back when generative AI music services rip off music for their data sets. It’s not ready for prime time yet, but it does offer a window into the wild, wonderful world of adversarial noise poisoning attacks.