Sounds.com is a subscription-based loop and sample site – but it’s also a glimpse into Native Instruments’ future strategy for digital services for musicians. Today, NI are revealing Sounds.com – a product in 2018 that sounds like someone registered a domain in 1996. That domain name pretty much covers it: it’s a place to go […]

Intermorphic release generative app Wotja version 5 which is effectively the consolidation and evolution of Noatikl, Mixtikl, Liptikl, Tiklbox & SSEYO Koan

Not just for gamers any more: Razer’s high-spec Blade laptop holds promise for music making, too. I’ve taken one for an extended test to see how it holds up.

Arturia refreshed their mega-collection of synths and keyboard instruments, with new sought-after additions – including a recreation of the Buchla Easel. Get ready for some numbers and letters here here. The resulting product is the Arturia V Collection 6. The ancient Roman in me apparently wants to read that as “5 collection 6” but, uh, […]

Before it reverted to Internet age-blandness, American kids’ TV enjoyed a golden age of music, scored by oddball indie composers and legends alike.

Regroover opens up new ways of transforming sounds and remixing materials, as powered by machine learning. Here’s how you can try that out, for free.

Belief Defect’s dark, grungy, distorted sounds come from hardware modulars in tandem with Reaktor and Maschine. Here’s how the Raster artists make it work.

First, there was DSP (digital signal processing). Now, there’s AI. But what does that mean? Let’s find out from the people developing it.

You’ve sampled. You’ve sliced. You’ve warped. So what’s left to do with loops? Accusonus have turned to machine learning for a new answer.

Live 10 adds a tasty new synth and delay effect, an updated look, and many more small details. We’ve had it now a few weeks; here’s a look at what’s new.