Live 11.3.10 quietly takes the drudge work out of Auto-Warp; other news

Peter Kirn - August 23, 2023

Inside Ableton’s Drift, the hardware-inspired synth in Live 11, with designer Marc Resibois

Peter Kirn - May 31, 2023

Inside the new Ableton Push: all the technical details so far, from I/O to Max for Live

Peter Kirn - May 23, 2023

The new Ableton Push 3, at a glance: standalone, new pads, new platform

Peter Kirn - May 23, 2023

Ableton Live 11.3 in beta: more expressive control, new Drift synth

Peter Kirn - April 4, 2023

Piastrone is a perfect, playable reverb for Ableton Live – even when other reverbs fail

Peter Kirn - March 29, 2023

Vocal techniques in Ableton Live, with superstar artist and teacher Claire Marie Lim, dolltr!ck

Peter Kirn - January 11, 2023

Saffron’s 7 Days of Sound is online pay-what-you-can classes for female, non-binary folks

Peter Kirn - January 10, 2023

At Black-led Willie Mae camp, music tech exploration starts at age 5 – interview

Peter Kirn - December 31, 2022

Here’s what to know about Note, Ableton’s music sketchpad for iOS

Peter Kirn - October 18, 2022