You can pluck it, strike it, bow it, use your fingers, use a pick. The Lethelium is upcycled from bicycle parts and imagined in a cycle-punk zombie comic where bike parts save civilization. And all of this could only come from the imagination of Montreal artist Lateef Martin, an artist who lives a sci-fi reality others might only dream of. Or as Lateef puts it: “it reinvents the wheel.”
Read more“Highlighting inconsistencies”: when it came time to transcribe Taylor Deupree’s seminal 2002 electronic drone album Sti.il for acoustic instruments, everything from technical software details to how we think about music and physical artifacts came into play.
Making instruments, making music overlaps directly with the issue of mapping sound to emotional experience, meaning, and orientation. Let’s listen to Khabat Abas, a musician, composer, sound artist, and instrument maker from Kurdistan-Iraq. She works directly at the crossing of so many of the issues we’ve encountered in the past months – and finds ways to make experimental cellos out of repurposed bombshells.
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