For over two decades, Rafael Anton Irisarri has been carving out a space that exists somewhere between the tectonic weight of modern classical and the vaporous drift of ambient music. Whether recording under his own name or as The Sight Below, Irisarri’s work is characterized by a physical sense of scale – soundscapes that feel like they have weather systems and geological history.
Read moreIt has a “broken” button and an eyelid that you can blink on and off. It lets you record or set feedback to 150%. It overdubs, it loops, it — does it in opposing directions. No, it’s not another tape delay/looper. Every single setting in TapeLeap from Mudjaq, for Max for Live, is bonkers and fantastic.
Live performance requires practice. And creating a truly performance-oriented module also requires a long process of iteration and refinement. Sampleslicer MKIII, the live sampling-looping-slicing labor, by Jan Willem (ginkosynthese), is the culmination of that process. And it just keeps getting better: today’s beta update, just announced, adds features like momentary reverse, non-repeating one-shot, and gate-triggered resets.