Suren Seneviratne (My Panda Shall Fly) has been painstakingly cataloging lost software, oldschool patches, and retro musical practices, reviving old machines and software and breathing new life into them. But now, we get some classic Max patches, remade for the current era of Max patches. Download them for free, and listen in as Suren interviews Leafcutter John and John interviews Suren.
Read moreFor over two decades, Rafael Anton Irisarri has been carving out a space that exists somewhere between the tectonic weight of modern classical and the vaporous drift of ambient music. Whether recording under his own name or as The Sight Below, Irisarri’s work is characterized by a physical sense of scale – soundscapes that feel like they have weather systems and geological history.
It has a “broken” button and an eyelid that you can blink on and off. It lets you record or set feedback to 150%. It overdubs, it loops, it — does it in opposing directions. No, it’s not another tape delay/looper. Every single setting in TapeLeap from Mudjaq, for Max for Live, is bonkers and fantastic.