Iftah Gabbai has delivered his Maxess Max/MSP External Collection, a set of tools that interface patches with the native accessibility features of macOS and Windows. They’re a must if you’re making tools with Max and Max for Live – and worth examining for inspiration even if you focus on other platforms.
Read moreAbleton Live 12.2 is in public beta today, with some major welcome features. Bouncing is easier, Auto Filter gets its biggest update since it came out, and there are new generative harmonic features, Meld and Roar updates, Push enhancements, and more. Here’s your guide.
For all the ubiquity of Unreal Engine, a small handful of people are pushing the envelope of what Unreal can do as an audiovisual tool. With years of effects and animation production work under his belt, Zack Berwick is uniquely creative and inventive with the combo – and he’s sharing his approach, using Ableton Live, Max for Live, MIDI, OSC, and UE.
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