In Expressive E’s Noisy 2.6 synth, expression everywhere, MIDI to MPE

Expression control is integral design feature of each component of Noisy, in each building block of the sound. And now Noisy 2.6 vastly expands the software’s sound palette — just in time to make this a worthy companion to Expressive E’s own Osmose and Osmose CE.

Zebra 3 is here, a sprawling semi-modular plug-in that runs deep

What if an integrated plug-in instrument could rival even full-blown modulars? That’s the question posed by u-he’s Zebra 3, out now at long last for macOS, Windows, and Linux. It’s unlikely any other soft synth takes on just this much synthesis territory, or with this much depth. From spline-based morphing oscillators to physical modeling and […]

Peter Kirn - April 21, 2026

KORG’s phase8 “acoustic synthesizer” is now a product for sale

The experimental electromechanical 8-voice instrument, after a long gestation period at KORG Berlin’s skunkworks R&D, is now going public. That means this unique set of sequenced steel resonators is making its way off the laboratory table and into the wild.

Peter Kirn - January 22, 2026

Absynth creator Brian Clevinger on synths, emotions, and “weird-ass ideas”

Peter Kirn - December 9, 2025

Landscape’s Ferrous, an electro-mechanical resonator for strings

Peter Kirn - May 16, 2024

Tested: Chromaphone 2 has kinder, gentler acoustic modeling

Peter Kirn - April 10, 2016