As Polyend’s epic hit Tracker gains momentum, their gorgeous Medusa synth continues to mature – even as it reaches the end of its production life. A new FM engine, more playable options, and LFO sync make this a complete refresh – and a tastier companion to Tracker (or whatever your rig includes).

For all the accessibility of music tech, that relationship between artist and builder matters. So yeah, these Polyend Trackers are pretty, but they also come with sound and music releases, too, by Bogdan Raczynski, Legowelt, and Pete Cannon.

Techno palace Berghain has never been so adorable as in the work of illustrator Virginie Kypriotis. And now you can load it on your iOS device – perfect for anyone deep in third-wave pandemic techno withdrawal.

Someone sucked Bochum, Duisburg, and Dortmund into a digital realm full of VR air pollution visualization – and in the debut album, Ljubljana’s Olenc deconstructs cello strings with the precision of an electron microscope. Journey inside.

Somewhere at the border of granular synthesis, 3D immersion, and game engines, the Fracture Space team have built a compelling looking new instrument.

No timeline. No sequencer. No stereo limitations. No “included library of trap loops and trombone samples.” Nothing but glitch – so much glitch. And Gleetchlab is not only still evolving, it’s on Windows as well as Mac. (Insert snark about glitch and Windows here.)

The crew in Spain have come up with devilishly clever new tools this week – the Ground Control sequencer and Golden Master multiband processor, both ideal for playing live.

In a year that is finally bringing tuning into music tech headlines, here’s a tool from ODDSound and Richard James that promises to help – and it’s free to get started. Let’s talk to the developers.

“In the year 5781 humanity is ever closer to becoming a singular consciousness…” Sci-fi Jewish mysticism, anime-style – David Abravanel is here in conversation with Meemo Comma.

At the meeting point of physics simulation, 3D visualization, and modular audio inside Unreal Engine, there’s Arthurs Audio BPs. And they just keep getting better – not just doing interesting visual stuff with sound, but making it low-latency.