The E-mu SP-1200 sampler is getting a reboot: SP 2400

It’s meant as a “spiritual successor,” say the creators – with both emulation of the classic E-mu sound and new features. But the SP 2400 in preorder still hope to bank off the renown of one of the most popular samplers ever, the genre-defining E-mu SP-1200.

Sonarworks Reference 4.3: more headphones, features for calibrating your mixes

Sonarworks Reference 4.3 has a bunch of new features – more headphones, better performance, and it won’t blind you in a dark studio. The goal: make sure your mixes sound consistent everywhere. And with both high-end and consumer cans on the supported list, they seem to want everybody to give this a go.

The Casio CZ is a huge highlight of Arturia’s V Collection 7

Arturia’s V Collection 7 continues to expand as the go-to software library of every vintage synth you would ever want. But let’s focus on one new gem: the brilliant CZ-101 remake.

Here’s what Polyend’s Medusa can sound like

By laying out faders, encoders, displays, and an 8×8 expressive grid, Polyend hopes you’ll play their Medusa’s synths sounds. So here’s some sound of what was going on in my studio.

Logic Pro X 10.4.5 is all about huge projects, with or without a Mac Pro

Logic Pro X 10.4.5, seen onstage at WWDC, is now available. And yes, it supports the new ultra-high-end Mac Pro – but there are fixes and performance optimizations for everyone, with or without new machines.

Beneath Polyend Medusa grid and knobs, a wealth of possibilities

It’s an analog-wavetable polysynth with an expressive grid – but that only begins to describe what makes the Polyend Medusa such a unique instrument. Here’s a deep dive into this hybrid synthesizer and what it means musically.

You can make music with test equipment – Hainbach explains

Before modulars became a product, some of the first electronic synthesis experiments made use of test equipment – gear intended to make sound, but not necessarily musically. And now that approach is making a comeback.

Radiohead just released 1.8GB of MiniDisc demos on Bandcamp

Gen X and Y just got their Beatles Anthology, basically – and it’s fantastic. Radiohead remind us why we love them with nearly two gigs of demos ripped from (seriously) MiniDiscs.

SubLab is an 808 bass synth and more, from makers of Circle

Hard-hitting sub bass and percussion is the focus of SubLab, a new instrument from Future Audio Workshop. And it puts a ton of sound elements into an uncommonly friendly interface. Let’s get our hands on it.

An injury left Olafur Arnalds unable to play, so he turned to machines

Following nerve damage, Icelandic composer/producer/musician was unable to play the piano. With his ‘Ghost Pianos’, he gets that ability back, through intelligent custom software and mechanical pianos.