The US musical instrument show NAMM dropped the usual amount of gear news on us – now here’s the highlights reel.

Working with image signal instead of sound remains to many an undiscovered country. One artist is producing beautiful meditations on analog video – and charting his work.

VJ communities on social media today have been puzzling over a wiki on “How to Become a Popular Vj.” Get ready for the knowledge.

Nothing new under the sun? Think again. Independent manufacturers are still creating novel designs for music making – and last week brought a lot of news.

Its expanded mixing and EQ section have already inspired memes, but live acts will sure be happy to see it in the booth. Pioneer, of course, faces an ongoing problem. Having taken over the world, there’s not much left to conquer. At the entry level, the strategy isn’t hard – there’s an expanding market of […]

Imagine a DX7, but with more parameter controls via extra faders – and it’s a KORG. That’s the best we can tell about the new opsix.

Also new in 2020 – a remake of the legendary 1987 E-mu SP-1200. Just get ready for some sticker shock, because it’s not just a clone, it’s an actual SP-1200, rebuilt.

I’m worried about Behringer. They’re using this time machine a lot, without thinking about the dangers of the temporal paradox.

Behringer promised to recreate the Roland System 100 modular system, and they’ve done that – with a system they call the System 100.

For all Moog’s synths, it’s been a while since there was a sweet spot that said – oh, if I want a Moog, I should start here. The Subsequent 25 could be that instrument.