After an edition in LA and a half-year break, the music-making summit hosted by Ableton is coming home to Berlin. Monday is your last chance to register if you want a chance to join. After Live and Push, Loop has become a kind of third major product from Ableton. It isn’t an event about Live […]
Subtle, nuanced, transparent, almost inaudible sonic adjustment? No – let’s kick things into the deep, terrifying flaming pits of Hell. Meet Abyss.
To anyone who says there are too many music makers in the world, maybe you aren’t aware of how much sound is in the world. Crowd-sourced iPhone recordings and the ghost of John Cage are here to set you straight.
A social media meltdown reveals some deeper issues in the electronic dance music world – and the ways in which online media are amplifying divisions. These do need to be things we work on, if we believe in what we’re doing in music, and listening to issues around race is something us white people need […]
mutateful brings live coding – real-time musical pattern manipulation, expressed as code – to Ableton Live. And it looks like a must-have for arrangement and composition, too. So yes, there are knobs and faders and pads and keys and wind inputs and whatnot for playing music live. And then there are the often clunky graphical […]
Need to record audio from an app, or route sound from one tool to another? Blackhole is an easy, free way to do that on the Mac, right through the latest macOS Catalina.
It’s the simplest social media revolution ever – bombard the Internets with music tips, not trolling. Objekt tweeted out his latest Bandcamp haul, and let me just add – “aye, sir.”
We’ve got a new kit that’s indispensable for your gear. So hey, let’s celebrate Black Friday really early. Buy a MeeBlip synth, get a MIDI splitter kit for free.
There’s an all-new keyboard instrument, born in the USA. It’s got the spirit of the Roland SH-101, but with modern design features. And CDM is getting an exclusive first look.
Elektron just revised their Analog Four and Analog Rytm MKI/MKII OSes. Finally: MIDI out. Wait, that’s cool: per-track scale, powerful macros, and more.